![]() Throughout the series Buffy Summers ( Sarah Michelle Gellar), in her role as the Vampire Slayer, is assisted by her close friends, who refer to themselves as the "Scooby Gang". It is considered one of the most effective and popular episodes of the series, and-prior to a financial dispute in 2007-was shown in theaters with the audience invited to sing along. The musical format allowed characters to stay true to their natures while they struggled to overcome deceit and miscommunication, fitting with the sixth season's themes of growing up and facing adult responsibilities. The episode was well received critically upon airing, specifically for containing the humor and wit to which fans had become accustomed. ![]() ![]() It was Joss Whedon's first attempt at writing music, and different styles-from 1950s sitcom theme music to rock opera-express the characters' secrets in specific ways. "Once More, with Feeling" is the most technically complex episode in the series, as extra voice and dance training for the cast was interspersed with the production of four other Buffy episodes. The title of the episode comes from a line sung by Sweet once the characters have revealed their truths and face the consequences of hearing each other's secrets, he challenges them to "say you're happy now, once more, with feeling".Īll of the regular cast performed their own vocals, although two actors were given minimal singing at their request. "Once More, with Feeling" explores changes in the relationships of the main characters, using the plot device that a demon-credited as "Sweet" but unnamed in the episode-compels the people of Sunnydale to break into song at random moments to express hidden truths. It was written and directed by series creator Joss Whedon and originally aired on UPN in the United States on November 6, 2001. " Once More, with Feeling" is the seventh episode of the sixth season of the supernatural drama television series Buffy the Vampire Slayer (1997–2003) and the only one in the series performed as a musical. Attacking an actor like that for basically doing their job and doing it so well that it's making people want to keep watching your show is so weird.Adam Hughes' poster for the episode included visual elements that highlighted its unique appearance, evoking an Old Hollywood feel also reflected in several pieces of music. It really is all there when you stop ignoring them, I can't speak to the level of hostility on any of his productions but it is very clear that he allowed his ego to go unchecked and created a hostile work environment. I've always respected that level of commitment and attention to detail I should have seen the flip side of that. But it does seem to stem from his control issues which you hear coming through during the director commentaries and in interviews. ![]() ![]() Look at Castile on Supernatural, Helo on BSG, TV land is littered with actors who far exceed their roles and thus were written permanently into shows that were intended as guest spots. I think with TV writing it's more exciting as there are outside factors you can not control that other forms of writing don't really have. People get pregnant, people get into accidents, people decide to move on (Seth left quickly and his storyline adjusted to reflect this, though now I have to wonder why he left so quickly.) As a writer I absolutely love the craziness that cam happen when characters end up far away from where you thought they would go. Possibly the network insisted on that angle? Either way the direction of your show is your responsibility not the actors. But in all honesty Spike did not have to be a romantic interest, that's just lazy writing to assume an attractive actor can only be one thing. I can completely understand being frustrated at having a character being something you didn't envision, every writer has been there. ![]()
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